| Bodies under glass: Gay dating apps and the affect-image T Penney Media International Australia 153 (1), 107-117, 2014 | 32 | 2014 |
| The radical productivity of play A Nash, T Penney 9th international conference on the philosophy of computer games, BKT …, 2015 | 4 | 2015 |
| The art of play: ethnography and playful interventions with young people L Hjorth, W Balmford, S Greenfield, L GASPARD, A NASEEM, ... The Routledge Companion to Digital Ethnography, 314-325, 2017 | 3 | 2017 |
| Digital face-ism and micro-fascism T Penney The official: international journal of contemporary humanities 1 (1), 1-16, 2016 | 3 | 2016 |
| Playing the subject T Penney, FF Mueller Playful Disruption of Digital Media, 29-46, 2018 | 2 | 2018 |
| Critical affection: an expanded portrait of the artist-as-player in digital cultures T Penney RMIT University, 2017 | 2 | 2017 |
| The resilience of game design education T Penney, C McCrea, J Lade, K Inabinet Culture, 2019 | 1 | 2019 |
| Neomateriality: Beyond the Textures of Post-Digital Aesthetics N Mauro-Flude, T Penney Proceedings of the 2019 Australian Council of University Art and Design …, 2019 | 1 | 2019 |
| Gays Under Glass T Penney The Gayborhood: From Sexual Liberation to Cosmopolitan Spectacle, 189, 2021 | | 2021 |
| Gays Under Glass: Gay Dating Apps and the Affection-Image T Penney The Gayborhood, 189-204, 2021 | | 2021 |
| In Death T Penney, C Rothnie In Death, 2017 | | 2017 |
| @ scobierobie T Penney New Photography, 2017 | | 2017 |
| Gay Under Glass"," TinderFlick"," Tough Guy/Big Red X"," A Handsome Man T Penney Radicalism, 2014 | | 2014 |
| G-Net"," Selfie" and" Museum T Penney Tabularium, 2014 | | 2014 |
Larissa HjorthRMIT UniversityVerified email at rmit.edu.au
