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Andrew McPherson
Andrew McPherson
Chair in Design Engineering and Music, Imperial College London
Verified email at imperial.ac.uk - Homepage
Title
Cited by
Cited by
Year
An environment for submillisecond-latency audio and sensor processing on BeagleBone Black
A McPherson, V Zappi
Audio Engineering Society Convention 138, 2015
1862015
Action-sound latency: Are our tools fast enough?
AP McPherson, RH Jack, G Moro
New Interfaces for Musical Expression, 2016
1152016
Audio effects: theory, implementation and application
JD Reiss, A McPherson
CRC Press, 2014
992014
The magnetic resonator piano: Electronic augmentation of an acoustic grand piano
A McPherson
Journal of New Music Research 39 (3), 189-202, 2010
992010
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14
F Morreale, AP McPherson
New Interfaces for Musical Expression, 2017
972017
Dimensionality and Appropriation in Digital Musical Instrument Design
V Zappi, AP McPherson
Proc. NIME, 2014
902014
Building a maker community around an open hardware platform
F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017
752017
The Problem of the Second Performer: Building a Community Around an Augmented Piano
A McPherson, Y Kim
Computer Music Journal 36 (4), 10-27, 2012
682012
Making high-performance embedded instruments with Bela and Pure Data
G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson
University of Sussex, 2016
622016
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing.
AP McPherson, YE Kim
NIME, 217-222, 2010
622010
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard
A McPherson
Proc. NIME, 2012
582012
Action-sound latency and the perceived quality of digital musical instruments: comparing professional percussionists and amateur musicians
RH Jack, A Mehrabi, T Stockman, AP McPherson
Music Perception 36 (1), 2018
542018
NIME Identity from the Performer’s Perspective
F Morreale, AP McPherson, MM Wanderley
NIME, 2018
522018
Idiomatic patterns and aesthetic influence in computer music languages
A McPherson, K Tahıroğlu
Organised sound 25 (1), 53-63, 2020
482020
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument
RH Jack, T Stockman, A McPherson
Proceedings of the audio mostly 2016, 116-123, 2016
472016
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches
A McPherson, F Morreale, J Harrison
New directions in music and human-computer interaction, 179-212, 2019
452019
Bela: An embedded platform for low-latency feedback control of sound
A McPherson
The Journal of the Acoustical Society of America 141 (5_Supplement), 3618-3618, 2017
452017
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community
F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley
New Interfaces for Musical Expression, 2020
432020
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences
L Turchet, A McPherson, C Fischione
Proceedings of Sound and Music Computing Conference, 498-505, 2016
432016
A low-cost real-time tracking system for violin
LS Pardue, C Harte, AP McPherson
Journal of New Music Research 44 (4), 305-323, 2015
422015
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