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Jack Armitage
Jack Armitage
Intelligent Instruments Lab, Iceland University of the Arts
Verified email at lhi.is - Homepage
Title
Cited by
Cited by
Year
Exploring XAI for the Arts: Explaining Latent Space in Generative Music
N Bryan-Kinns, B Banar, C Ford, CN Reed, Y Zhang, S Colton, J Armitage
eXplainable AI approaches for debugging and diagnosis., 2021
232021
Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material
C Nordmoen, J Armitage, F Morreale, R Stewart, A McPherson
Proceedings of the 2019 on Designing Interactive Systems Conference, 135-146, 2019
162019
Crafting Digital Musical Instruments: An Exploratory Workshop Study
J Armitage, A McPherson
New Interfaces for Musical Expression, 2018
162018
Effect of Instrument Structure Alterations on Violin Performance
F Morreale, J Armitage, A McPherson
Frontiers in Psychology 9, 2436, 2018
122018
"The finer the musician, the smaller the details": NIMEcraft under the microscope
J Armitage, F Morreale, A McPherson
New Instruments for Musical Expression, 2017
122017
The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument
J Armitage, T Magnusson, V Shepardson, H Ulfarsson
NIME 2022, 2022
82022
Bricolage in a hybrid digital lutherie context: a workshop study
J Armitage, A McPherson
Proceedings of the 14th International Audio Mostly Conference: A Journey in …, 2019
72019
Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs
J Armitage, T Magnusson, A McPherson
Proc. New Interfaces for Musical Expression, 2023
62023
Design Process in Visual Programming: Methods for Visual and Temporal Analysis
J Armitage, T Magnusson, A McPherson
Proc. Sound and Music Computing Conference, 2023
52023
A Scale-Based Ontology of Digital Musical Instrument Design
J Armitage, T Magnusson, A McPherson
Proc. New Interfaces for Musical Expression, 2023
5*2023
Sculpting Algorithmic Pattern: Informal and Visuospatial Interaction in Musical Instrument Design
J Armitage, T Magnusson, A McPherson
Proc. Sound and Music Computing Conference, 2023
52023
Embedded AI for NIME: Challenges and Opportunities
T Pelinski, V Shepardson, S Symons, FS Caspe, ALB Temprano, ...
International Conference on New Interfaces for Musical Expression, 2022
52022
Subtlety and detail in digital musical instrument design
J Armitage
Queen Mary University of London, 2022
52022
Re-engaging the Body and Gesture in Musical Live Coding
S Salazar, J Armitage
New Interfaces for Musical Expression, 2018
52018
Agential Scores: Exploring Emergent, Self-Organising and Entangled Music Notation
J Armitage, T Magnusson
Proc. 8th International Conference on Technologies for Music Notation and …, 2023
42023
The Stenophone: Live coding on a chorded keyboard with continuous control
J Armitage, A McPherson
International Conference on Live Coding, 2017
42017
Notochord: a Flexible Probabilistic Model for Embodied MIDI Performance
V Shepardson, J Armitage, T Magnusson
Proceedings of the 3rd Conference on AI Music Creativity, AIMC., 2022
32022
Performance Systems for Live Coders and Non-Coders
A Sarwate, R Rose, J Armitage, J Freeman
New Interfaces for Musical Expression 2018, 2018
32018
Building an IDE for an embedded system using web technologies
L Donovan, SMA Bin, J Armitage, AP McPherson
Web Audio Conference, 2017
32017
A Context-Sensitive Approach to XAI in Music Performance
N Privato, J Armitage
The first international workshop on eXplainable AI for the Arts, ACM …, 2023
22023
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