| The gay lifestyle‐spaces for a subculture of consumption C Haslop, H Hill, RA Schmidt Marketing Intelligence & Planning 16 (5), 318-326, 1998 | 150 | 1998 |
| # NoSnowflakes: The toleration of harassment and an emergent gender-related digital divide, in a UK student online culture C Haslop, F O’Rourke, R Southern Convergence 27 (5), 1418-1438, 2021 | 22 | 2021 |
| From Scene to Screen: The challenges and opportunities of commercial digital platforms for HIV community outreach S Mowlabocus, C Haslop, RK Dasgupta Social Media+ Society 2 (4), 2056305116672886, 2016 | 21 | 2016 |
| ‘I mean, in my opinion, I have it the worst, because I am white. I am male. I am heterosexual’: questioning the inclusivity of reconfigured hegemonic masculinities in a UK … C Haslop, F O’Rourke Information, Communication & Society 24 (8), 1108-1122, 2021 | 18 | 2021 |
| Reaching out online: Digital literacy and the uses of social media in health promotion S Mowlabocus, J Harbottle, RK Dasgupta, C Haslop Working Papers of the Communities & Culture Network+ 3, 1-24, 2014 | 17 | 2014 |
| ‘Because even the placement of a comma might be important’ Expertise, filtered embodiment and social capital in online sexual health promotion S Mowlabocus, J Harbottle, B Tooke, C Haslop, RK Dasgupta Convergence 21 (3), 375-387, 2015 | 14 | 2015 |
| Wots Not Queer: the Search for Sexual Representation in Audience Research C Haslop Networking Knowledge: Journal of the MeCCSA Postgraduate Network 2 (1), 2009 | 11 | 2009 |
| Bringing Doctor Who back for the masses: regenerating cult, commodifying class C Haslop Science Fiction Film and Television 9 (2), 209-227, 2016 | 8 | 2016 |
| From scene to screen: The challenges and opportunities that digital platforms pose for HIV prevention work with MSM S Mowlabocus, C Haslop, R Dasgupta Social Media+ Society 2 (4), 1-8, 2016 | 8 | 2016 |
| ‘Do you wanna come with me?’: The role of the star image as brand for the commodification of cult in mainstream telefantasy C Haslop Celebrity studies 12 (1), 36-50, 2021 | 7 | 2021 |
| ‘The Thing Is I’m Actually from Bromley’: Queer/Class Intersectionality in Pride (2014) C Haslop Considering Class: Theory, Culture and the Media in the 21st Century, 303-316, 2017 | 4 | 2017 |
| # Men4Change Toolkit F O'Rourke, C Haslop University of Liverpool, 2023 | 2 | 2023 |
| “I certainly wouldn’t want to be portrayed as a boring straight person”: Torchwood, meaning-making and the performance of gender and sexual identities C Haslop Participations: Journal of Audience and Reception Studies 10 (1), 36-51, 2013 | 2 | 2013 |
| Mainstreaming the Manosphere’s Misogyny Through Affective Homosocial Currencies: Exploring How Teen Boys Navigate the Andrew Tate Effect C Haslop, J Ringrose, I Cambazoglu, B Milne Social Media+ Society 10 (1), 20563051241228811, 2024 | 1 | 2024 |
| Steed as a drag queen and the asexual Number Six: Notes on cult tele-fantasy’s queer roots C Haslop Critical Studies in Television 14 (4), 456-461, 2019 | 1 | 2019 |
| Talking Torchwood: fluid sexuality, representation and audiences C Haslop University of Sussex, 2013 | 1 | 2013 |
| ‘We’re respectful boys… we’re not misogynistic!’: analysing defensive, contradictory and changing performances of masculinity within young men’s in-person and digitally … F O’Rourke, C Haslop Journal of Gender Studies, 1-18, 2024 | | 2024 |
| # Men4Change: Tackling and transforming harmful gendered norms and behaviours F O'Rourke, C Haslop | | 2023 |
| TORCHWOOD’S SUPERMEN C HASLOP Toxic Masculinity: Mapping the Monstrous in Our Heroes, 103, 2020 | | 2020 |
| ‘Do you wanna come with me?’Analysing star images as brands and their role in the commodification of cult in mainstream tele-fantasy CD Haslop Celebrity Studies, 2019 | | 2019 |
