| ‘It’s like Canada reduced’: setting the scene in Montreal G Stahl na, 2004 | 194 | 2004 |
| Tastefully renovating subcultural theory: Making space for a new model G Stahl The post-subcultures reader, 27-40, 2003 | 124 | 2003 |
| Tracing out an Anglo-Bohemia: Musicmaking and myth in Montreal G Stahl Public, 2001 | 66 | 2001 |
| Still'winning space?': Updating subcultural theory G Stahl | 54 | 1999 |
| Poor, but sexy G Stahl Peter Lang AG, 2014 | 43 | 2014 |
| Cowboy Capitalism: The art of ping pong country in the new Berlin G Stahl Space and Culture 11 (4), 300-324, 2008 | 34 | 2008 |
| Musikmaking and the city: Making sense of the Montreal scene G Stahl | 22 | 2007 |
| ‘DIY or DIT!’Tales of Making Music in a Creative Capital G Stahl Situating Music in Aotearoa-New Zealand, Auckland: Pearson Education, 145-160, 2011 | 19 | 2011 |
| Urban signs/signs of the Urban: Of scenes and streetscapes G Stahl Culture Unbound 1 (2), 249-262, 2009 | 19 | 2009 |
| Nocturnes: popular music and the night G Stahl, G Bottà Springer, 2019 | 12 | 2019 |
| CITING THE SOUND: New Zealand lndie Rock in North America G Stahl Perfect Beat 3 (2), 60-76, 1997 | 10 | 1997 |
| Performance anxiety: Audit culture and the neoliberal New Zealand university G Stahl Culture Unbound 7 (4), 618-626, 2015 | 9 | 2015 |
| Crisis? what crisis?: Anglophone musicmaking in Montreal G Stahl McGill University, 2003 | 9 | 2003 |
| Made in Australia and Aotearoa/New Zealand S Brunt, G Stahl Great Britain: Routledge, 2018 | 8 | 2018 |
| Bedroom production E Barna, G Stahl, J Mark Percival The Bloomsbury Handbook of Popular Music, Space and Place, 191-204, 2022 | 7 | 2022 |
| Mile-End hipsters and the unmasking of Montreal’s proletaroid intelligentsia: Or how a Bohemia becomes BOHO G Stahl Adam Art Gallery, Apr 12, 2010 | 7 | 2010 |
| The Mile-End hipster. Montreal’s modern day folk devil G Stahl Orte–Situationen–Atmosphären. Frankfurt am Main: Campus Verlag, 321-329, 2010 | 6 | 2010 |
| Introduction: Because the night… G Bottà, G Stahl Nocturnes: Popular Music and the Night, 1-18, 2019 | 4 | 2019 |
| The Scene and the unseen: mapping the (affective) rhythms of Wellington and Copenhagen K Rochow, G Stahl Imaginations: Journal of Cross-Cultural Image Studies 7 (2), 124-141, 2016 | 4 | 2016 |
| Introduction: This is My City: Reimagining Popular Music Down Under S Brunt, G Stahl Made in Australia and Aotearoa/New Zealand, 1-16, 2018 | 3 | 2018 |
Giacomo BottàUniversity of HelsinkiVerifierad e-postadress på helsinki.fi
