| Virtual theatres: an introduction G Giannachi Routledge, 2004 | 491 | 2004 |
| Performing mixed reality S Benford, G Giannachi MIT press, 2011 | 486 | 2011 |
| From interaction to trajectories: designing coherent journeys through user experiences S Benford, G Giannachi, B Koleva, T Rodden Proceedings of the SIGCHI conference on human factors in computing systems …, 2009 | 387 | 2009 |
| Uncomfortable interactions S Benford, C Greenhalgh, G Giannachi, B Walker, J Marshall, T Rodden Proceedings of the sigchi conference on human factors in computing systems …, 2012 | 323 | 2012 |
| Archive everything: Mapping the everyday G Giannachi Mit Press, 2016 | 172 | 2016 |
| Archaeologies of Presence G Giannachi, N Kaye, M Shanks Routledge, 2012 | 167 | 2012 |
| Performance-led research in the wild S Benford, C Greenhalgh, A Crabtree, M Flintham, B Walker, J Marshall, ... ACM Transactions on Computer-Human Interaction (TOCHI) 20 (3), 1-22, 2013 | 158 | 2013 |
| Temporal trajectories in shared interactive narratives S Benford, G Giannachi Proceedings of the sigchi conference on human factors in computing systems …, 2008 | 124 | 2008 |
| Performing presence: between the live and the simulated G Giannachi Manchester University Press, 2011 | 118 | 2011 |
| Digital humanities and crowdsourcing: An exploration L Carletti, G Giannachi, D Price, D McAuley, S Benford Museums and the Web, 2013 | 109 | 2013 |
| Performing nature: explorations in ecology and the arts G Giannachi, N Stewart Peter Lang, 2005 | 100 | 2005 |
| On directing: interviews with directors P Brook St. Martin's Press, 2014 | 93 | 2014 |
| Representing, performing and mitigating climate change in contemporary art practice G Giannachi Leonardo 45 (2), 124-131, 2012 | 83 | 2012 |
| The politics of new media theatre: Life®™ G Giannachi Routledge, 2006 | 83 | 2006 |
| A conversation between trees: what data feels like in the forest R Jacobs, S Benford, M Selby, M Golembewski, D Price, G Giannachi Proceedings of the SIGCHI Conference on Human Factors in Computing Systems …, 2013 | 76 | 2013 |
| The ethical implications of HCI's turn to the cultural S Benford, C Greenhalgh, B Anderson, R Jacobs, M Golembewski, ... ACM Transactions on Computer-Human Interaction (TOCHI) 22 (5), 1-37, 2015 | 63 | 2015 |
| Creating the spectacle: Designing interactional trajectories through spectator interfaces S Benford, A Crabtree, M Flintham, C Greenhalgh, B Koleva, M Adams, ... ACM Transactions on Computer-Human Interaction (TOCHI) 18 (3), 1-28, 2011 | 61 | 2011 |
| Histories of performance documentation G Giannachi, J Westerman Taylor & Francis, 2017 | 54 | 2017 |
| Uncomfortable user experience S Benford, C Greenhalgh, G Giannachi, B Walker, J Marshall, T Rodden Communications of the ACM 56 (9), 66-73, 2013 | 48 | 2013 |
| Acts of presence: Performance, mediation, virtual reality N Kaye, G Giannachi TDR/The Drama Review 55 (4), 88-95, 2011 | 35 | 2011 |
Chris GreenhalghProfessor of Computer Science, University of NottinghamVerified email at nottingham.ac.uk
