| Dali: Paranoia as Artistic Strategy R Bejan Analele Universităţii Ovidius din Constanţa. Seria Filologie 26 (1), 87-99, 2015 | 1 | 2015 |
| Dying is an art that I do exceptionally well R Bejan Romanian Journal of Artistic Creativity, 107-119, 2013 | 1 | 2013 |
| Nigrescence: Mapping the Journey in Maya Angelou’s I Know Why the Caged Bird Sings R Bejan Bloom’s Literary Criticism, 147-55, 2009 | 1 | 2009 |
| DE AUCTORE (1) R Bejan Analele Universităţii Ovidius din Constanţa. Seria Filologie, 159-180, 2006 | 1 | 2006 |
| Gândul din gând: Edgar Poe şi Ion Barbu R Bejan Institutul European, 2016 | | 2016 |
| Ion Barbu-un bergsonian care se ignoară?: eseu asupra ciclului ermetic din Joc secund R Bejan Ovidius University Press, 2016 | | 2016 |
| Ion Barbu: The Lesson on the Cone R Bejan Analele Universităţii Ovidius din Constanţa. Seria Filologie 26 (2), 5-15, 2015 | | 2015 |
| On the aesthetics of memory R Bejan Romanian Journal of Artistic Creativity 3 (4), 225-229, 2015 | | 2015 |
| The ceaseless return R Bejan Romanian Journal of Artistic Creativity 3 (3), 103-107, 2015 | | 2015 |
| Narcissus confesses R Bejan Romanian Journal of Artistic Creativity 3 (2), 101-146, 2015 | | 2015 |
| HENRY ADAMS: AUTOBIOGRAPHY, HISTORY AND THE VOID R Bejan Analele Universităţii Ovidius din Constanţa. Seria Filologie 25 (2), 5-13, 2014 | | 2014 |
| The thought of a thought R Bejan Romanian Journal of Artistic Creativity, 162-198, 2014 | | 2014 |
| Finding the way back through systematic confusion R Bejan Romanian Journal of Artistic Creativity, 103-121, 2013 | | 2013 |
| Life into art R Bejan Romanian Journal of Artistic Creativity, 26-32, 2013 | | 2013 |
| Man and/in language R Bejan Analele Universităţii Ovidius din Constanţa. Seria Filologie, 141-152, 2009 | | 2009 |
| PATRIATION: The Proceedings of the (Ex) Patriation Conference, Constanta, September 20-22, 2007 B Adriana, R BONTILA, R BEJAN Ovidius University Press, 2008 | | 2008 |
| De Auctore (2) R Bejan Analele Universităţii Ovidius din Constanţa. Seria Filologie, 13-22, 2008 | | 2008 |
| THE POWER OF PLACE: THE POLITICS OF IDENTITY IN MAYA ANGELOU’S I KNOW WHY THE CAGED BIRD SINGS R BEJAN CULTURE, SUBCULTURE, COUNTERCULTURE, 44, 2008 | | 2008 |
| " 91 REVERE STREET": THE AESTHETICS OF MEMORY R Bejan BAS British and American Studies, 17-26, 2006 | | 2006 |
