| “For the first time in forever”: locating Frozen as a feminist Disney musical S Whitfield The Disney Musical on Stage and Screen Critical Approaches from 'Snow White …, 2017 | 13 | 2017 |
| Reframing the Musical: Race, Culture and Identity S Whitfield Macmillan International Higher Education, 2019 | 11 | 2019 |
| Disrupting heteronormative temporality through queer dramaturgies: Fun Home, Hadestown and A Strange Loop S Whitfield Arts 9 (2), 2020 | 9 | 2020 |
| An Inconvenient Black History of British Musical Theatre 1900-1950 S Mayes, SK Whitfield Methuen Drama, 2021 | 6 | 2021 |
| Kurt Weill: the'composer as dramatist'in American musical theatre production S Whitfield Queen Mary University of London, 2011 | 6 | 2011 |
| Two different roads to new musicals in 2011 London: London Road and Road Show S WHITFIELD Studies in Musical Theatre 5 (3), 305-314, 2012 | 5 | 2012 |
| What Do We Do with the Musical Theatre Canon? S Wolf, M Asare, R Berman, R Eng, EM Glover, D Savran, G Stitt, ... Troubling Traditions, 201-216, 2021 | 4 | 2021 |
| ‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices S Whitfield Studies in Musical Theatre 10 (2), 163-176, 2016 | 3 | 2016 |
| An Inconvenient Black History of British Musical Theatre S Mayes, SK Whitfield Bloomsbury Publishing, 2022 | 2 | 2022 |
| A Space Has Been Made: Bisexual+ Stories in Musical Theatre SK Whitfield Theatre Topics 30 (2), E-5-E-12, 2020 | 2 | 2020 |
| Boublil and Schonberg's Les Miserables S Whitfield | 2 | 2018 |
| Sound objects: Exploring procedural audio for theatre M Dalgleish, S Whitfield Innovation in Music, 188-205, 2021 | 1 | 2021 |
| ‘You Wanna Hear the Real Story?’:(Mis) remembering masculinity in Clint Eastwood's adaptation of Jersey Boys S Whitfield Twenty-First Century Musicals, 149-163, 2017 | 1 | 2017 |
| Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities SK Whitfield Royal Musical Association Research Chronicle, 1-15, 2024 | | 2024 |
| Flowers for Mrs Harris: Covid-19, women's work, and the musical's 'some kind of bliss' SK Whitfield Bloomsbury: Methuen Drama, 2024 | | 2024 |
| Musical Ghosts: Re-Instating Elsie April in Historical Narratives of the British Musical (ed by. Laura Hamer, Helen Julia Minors) A Johnson Quinn, SK Whitfield The Routledge Companion to Women and Musical Leadership, 2024 | | 2024 |
| '“We’re losing both schools and parents”: The Cost of Music Education' SK Whitfield, MusicMark Music Mark, 2023 | | 2023 |
| Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities: the Hamburger-Lidka-Fuchsová Database and Datasets SK Whitfield | | 2023 |
| Oda Slobodskaya SK Whitfield Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe, 2023 | | 2023 |
| Líza Fuchsová SK Whitfield Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe, 2023 | | 2023 |
Masi AsareAssistant Professor, Theatre and Performance Studies, Northwestern UniversityVerified email at masiasare.com
