| Films on ice: Cinemas of the Arctic S MacKenzie Edinburgh University Press, 2014 | 47 | 2014 |
| Helga Crane's Copenhagen: Denmark, Colonialism, and Transnational Identity in Nella Larsen's" Quicksand" A Lunde, AW Stenport Comparative Literature 60 (3), 228-243, 2008 | 39 | 2008 |
| Corporations, crime, and gender construction in Stieg Larsson's" The girl with the dragon tattoo": Exploring twenty-first century neoliberalism in Swedish culture AW Stenport, CO Alm Scandinavian Studies 81 (2), 157-178, 2009 | 38 | 2009 |
| Arctic environmental modernities: From the age of polar exploration to the era of the anthropocene LA Körber, S MacKenzie, AW Stenport Springer, 2017 | 26 | 2017 |
| Lukas Moodysson’s Show me love AW Stenport University of Washington Press, 2012 | 25 | 2012 |
| Introduction: What Are Arctic Cinemas? S MacKenzie, AW Stenport Films on Ice: Cinemas of the Arctic, 1-28, 2015 | 24 | 2015 |
| The eradication of memory: Film adaptations and algorithms of the digital AW Stenport, G Traylor Cinema Journal 55 (1), 74-94, 2015 | 24 | 2015 |
| Locating August Strindberg's Prose: Modernism, Transnationalism, and Setting AW Stenport University of Toronto Press, 2010 | 24 | 2010 |
| Polar bears and ice: Cultural connotations of Arctic environments that contradict the science of climate change AW Stenport, RS Vachula Media, Culture & Society 39 (2), 282-295, 2017 | 23 | 2017 |
| Bodies Under Assault: Nation and Immigration in Henning Mankell's" Faceless Killers" AW Stenport Scandinavian Studies 79 (1), 1-24, 2007 | 23 | 2007 |
| Arctic Cinemas and the Documentary Ethos L Kaganovsky, S MacKenzie, AW Stenport Indiana University Press, 2019 | 22 | 2019 |
| Making space: Stockholm, Paris, and the urban prose of Strindberg and his contemporaries AW Stenport University of California, Berkeley, 2004 | 19 | 2004 |
| Arnait Video Productions: Inuit Women's Collective Filmmaking, Coalitional Politics, and a Globalized Arctic S MacKenzie, AW Stenport Camera Obscura: Feminism, Culture, and Media Studies 31 (3), 153-163, 2016 | 17 | 2016 |
| Introduction: Arctic modernities, environmental politics, and the era of the Anthropocene LA Körber, S MacKenzie, AW Stenport Arctic Environmental Modernities: From the Age of Polar Exploration to the …, 2017 | 15 | 2017 |
| Contemporary experimental feminist Sámi documentary: The first person politics of Liselotte Wajstedt and Elle-Máijá Tailfeathers S Mackenzie, AW Stenport Journal of Scandinavian Cinema 6 (2), 169-182, 2016 | 13 | 2016 |
| All that's frozen melts into air: Arctic cinemas at the end of the world S MacKenzie, AW Stenport Public 24 (48), 71-82, 2013 | 13 | 2013 |
| “We Train Auteurs”: Education, Decentralization, Regional Funding, and Niche Marketing in the New Swedish Cinema AW Stenport The Education of the Filmmaker in Europe, Australia, and Asia, 85-104, 2013 | 12 | 2013 |
| Scandinavian Modernism: Stories of the Transnational and the Discontinuous AW Stenport | 10 | 2012 |
| South Korea’s Arctic policy: political motivations for 21st century global engagements E Kim, A Stenport The Polar Journal 11 (1), 11-29, 2021 | 8 | 2021 |
| Introduction: The documentary ethos and the Arctic L Kaganovsky, S MacKenzie, AW Stenport Arctic cinemas and the documentary ethos, 1-28, 2019 | 8 | 2019 |
Scott MacKenzieQueen's UniversityVerifierad e-postadress på queensu.ca
