| The potential for automatic assessment of trumpet tone quality. T Knight, F Upham, I Fujinaga ISMIR, 573-578, 2011 | 40 | 2011 |
| Dynamics of a delay differential equation with multiple state-dependent delays AR Humphries, OA DeMasi, FMG Magpantay, F Upham Discrete Contin. Dyn. Syst 32 (8), 2701-2727, 2012 | 34 | 2012 |
| Interpreting expressive performance through listener judgments of musical tension MM Farbood, F Upham Frontiers in Psychology 4, 67376, 2013 | 25 | 2013 |
| Activity analysis and coordination in continuous responses to music F Upham, S McAdams Music Perception: An Interdisciplinary Journal 35 (3), 253-294, 2018 | 13 | 2018 |
| Quantifying the temporal dynamics of music listening: A critical investigation of analysis techniques for collections of continuous responses to music F Upham McGill University (Canada), 2011 | 9 | 2011 |
| Limits on the application of statistical correlations to continuous response data F Upham Proceedings of the 12th International Conference on Music Perception and …, 2012 | 8 | 2012 |
| Data quality matters: Iterative corrections on a corpus of Mendelssohn string quartets and implications for MIR analysis J Degroot-Maggetti, T de Reuse, L Feisthauer, S Howes, Y Ju, S Kokubu, ... International Society for Music Information Retrieval Conference (ISMIR 2020), 2020 | 7 | 2020 |
| Coordination in musical tension and liking ratings of scrambled music F Upham, M Farbood Meeting of the Society for Music Perception and Cognition. SMPC, 148, 2013 | 5 | 2013 |
| Detecting the Adaptation of Listeners' Respiration to Heard Music F Upham New York University, 2018 | 4 | 2018 |
| Participatory applause F Upham, AE Memis, NC Hansen, FE Rosas, MA Clim, AR Jensenius Conference on Interdisciplinary Musicology, 2022 | 1 | 2022 |
| Audience reconstructed: social media interaction by BTS fans during live stream concerts F Upham, JH Lee, SY Park Frontiers in Psychology 15, 1214930, 2024 | | 2024 |
| The Stilling Response: From Musical Silence to Audience Stillness F Upham, S Høffding, FE Rosas Music & Science 7, 20592043241233422, 2024 | | 2024 |
| Comparing inertial motion sensors for capturing human micromotion M Riaz, F Upham, K Burnim, L Bishop, AR Jensenius Proceedings of the SMC Conferences, 2023 | | 2023 |
| Measuring Virtual Audiences with The MusicLab App: Proof of Concept D Swarbrick, F Upham, C Erdem, AR Jensenius, JK Vuoskoski Proceedings of the SMC Conferences, 2022 | | 2022 |
| Streaming complexity in the Renaissance Mass Ordinary cycle F Upham, J Cumming Ohio State University. Libraries, 2021 | | 2021 |
| Auditory Streaming Complexity and Renaissance Mass Cycles F Upham, J Cumming Empirical Musicology Review 15 (3-4), 202-222, 2020 | | 2020 |
| Audience's Breath: Collective Respiratory Coordination in Response to Music F Upham, HW Egermann, S McAdams International Conference of Music Perception and Cognition, 2018 | | 2018 |
| Measuring listeners' emotionally expressive responses to music F Upham International Conference of Students of Systematic Musicology, 2014 | | 2014 |
| Adaptation of Listener Respiration to Heard Music Topic Proposal for PhD in Music Technology F Upham | | 2013 |
| HUMAN SUBTRACTED: SOCIAL DISTORTION OF MUSIC TECHNOLOGY F Upham | | |
Morwaread Mary FarboodAssociate Professor, New York UniversityVerifierad e-postadress på nyu.edu
