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Michael L. Wayne
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Netflix, Amazon, and branded television content in subscription video on-demand portals
ML Wayne
Media, Culture & Society 40 (5), 725-741, 2018
3222018
SVOD global expansion in cross-national comparative perspective: Netflix in Israel and Spain
ML Wayne, D Castro
Television & New Media 22 (8), 896-913, 2021
852021
Netflix audience data, streaming industry discourse, and the emerging realities of ‘popular’television
ML Wayne
Media, Culture & Society 44 (2), 193-209, 2022
822022
Netflix original series, global audiences and discourses of streaming success
ML Wayne, AC Uribe Sandoval
Critical Studies in Television 18 (1), 81-100, 2023
512023
Global streaming platforms and national pay-television markets: a case study of Netflix and multi-channel providers in Israel
ML Wayne
The Communication Review, 2020
442020
Ambivalent Anti-Heroes and Racist Rednecks on Basic Cable: Post-Race Ideology and White Masculinities on FX
ML Wayne
Journal of Popular Television 2 (2), 205-225, 2014
222014
Cultural class analysis and audience reception in American television’s ‘third golden age’
ML Wayne
Interactions: Studies in Communication & Culture 7 (1), 41-57, 2016
162016
“We don’t aspire to be Netflix”: Understanding content acquisition practices among niche streaming services
ML Wayne, M Sienkiewicz
Television & New Media 24 (3), 298-315, 2023
142023
Guilty Pleasures and Cultural Legitimation: Exploring High-Status Reality TV in the Postnetwork Era.
ML Wayne
Journal of Popular Culture 48 (5), 2015
142015
Mitigating Colorblind Racism in the Postnetwork Era: Class-Inflected Masculinities in The Shield, Sons of Anarchy, and Justified
ML Wayne
The Communication Review 17 (3), 183-201, 2014
142014
Critically Acclaimed and Cancelled: FX's The Bridge, Channel as Brand and the Adaptation of Scripted TV Formats
ML Wayne
VIEW Journal of European Television History and Culture 5 (9), 116-125, 2016
112016
Global Portals in National Markets
ML Wayne
Journal of Cinema and Media Studies 59 (3), 149-153, 2020
102020
Between the programme and the portal: Thinking about the future of transnational TV branding
ML Wayne
Critical Studies in Television 13 (4), 510-514, 2018
62018
Depicting the Racist Past in a “Post-Racial” Age: The White, Male Protagonist in Hell on Wheels and The Knick
ML Wayne
Alphaville: Journal of Film and Screen Media 13, 105-116, 2017
32017
Post-network audiences and cable crime drama
ML Wayne
Northern Lights 14 (1), 141-157, 2016
32016
Legitimating Television: Media Convergence and Cultural Status, by Newman, M. Z., & Levine, E. (2012). New York, NY: Routledge, 217 pp., $36.95 (paperback).
ML Wayne
The Communication Review 15 (1), 76-78, 2012
32012
Minority representation in the streaming era: An analysis of Jewish identity in competing subscription video on-demand platforms
M Sienkiewicz, M L. Wayne
International Journal of Cultural Studies 26 (2), 145-163, 2023
22023
Personal Connections in the Digital Age, by Baym, N. K. (2010). Malden, MA: Polity Press, 196 pp., $19.25 (paperback)
M Wayne
The Communication Review 14 (2), 149-151, 2011
22011
Loved everywhere?: Netflix’s top 10 and the popularity of geographically diverse content
ML Wayne, N Ribke
Convergence 30 (4), 1348-1364, 2024
12024
Place in Netflix Original Police Drama
ML Wayne
Streaming Video: Storytelling Across Borders, 54, 2023
1*2023
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Artiklar 1–20